Some weeks ago I found myself at one of the most mesmerizing concerts. The sound was perfect, the music was pure excellence, and the venue was beautiful. World class musicians producing sparkling melodies and stirring rhythms. Imagine yourself in this space for a moment. Can you see it? Soul uplifting gloriousness. While I am taking in this incredible soundscape, a group of tall Dutch white men gather several feet away from me. I notice they gather so close to me because I was dancing, and they kinda took my dancing space… I get slightly irked when people invade my dancing space whenever there is actually plenty of room everywhere else. It’s like being in a long row of completely empty toilet stalls, and the next person entering the bathroom picking that one stall right next to you. And now your pee won’t come out until they leave, so you are just staring at the shoes of your new neighbor thinking: “Of all the stalls, in all the world, you had to pick the one right next to mine?” And I know they can tell I am being exceptionally quiet, so there is this awkward silent standoff happening until one of us flushes first. Yeah, OK, so I have public-toilet-issues, I know some of you out there know what I am talking about…
Anyway, I digress. We were at a concert. The men were closing in. But that was not all. In a completely silent concert hall, where everyone is moved by the gorgeous sound, these men begin an absurdly loud conversation amongst themselves. Let me tell you this: Nothing gets me out of musical ecstasy quite as fast as a group of insensitive men talking way too loud about absolutely nothing to each other through a performance. Let’s call this the sonic equivalent of man-spreading. It is incredibly annoying and energetically invasive. Since I feel like I can no longer afford being very shy about making my needs known to people, I begin frantically waving at these guys to please be quiet. But, as was already clear from their irreverent talking, they were not aware enough of their surroundings to notice me. I try to immerse back into the music while attempting to ignore their chatter. The band announces their last song, and as they begin playing the men start talking yet again. I decide to tap one of them on the shoulder and gesture my request for their silence during this last song. One of them nods at me. They stop talking for a while.
As I go back into the soundscape, I feel thankful for getting to witness this music. I close my eyes and my body naturally sways to the beautiful melodies when suddenly a voice interrupts from behind me. One of the men. This guy had apparently been observing me dance and felt the pressing need to unsubtly inform his pals: “She feels the music” – followed by one of those utterly stupid Beeves and Butthead type of chuckles: huhuhh huhuh. I don’t visibly respond to this, but again jolted out of my communion with the sound, I think to myself: “What the hell else is a person supposed to do with music?”
At a different location I am attending a concert by an incredible band that plays some of the best psychedelic rock of this generation. I notice the crowd exists primarily of men and that the venue is a little bit too crowded for my taste. My friend and I find a spot in the back that has slightly more wiggle room. As should be clear by now, I am pretty particular about space during concerts, and if I don’t have at least a little wiggle room, I will likely leave. The reason for this is that I feel the need to move my body when I hear good music, and if I am prevented from doing so in an overcrowded space I get pretty intense claustrophobia. Additionally, I find that if I can’t move freely with the music, I am less capable of receiving it completely. I want to hear it with my ears but, since I have the physical ability, also with my spine and my arms and my legs. As the concert ensues, I look out over the crowd and notice that 95 percent of the people is standing completely still. Two young guys are standing still in front of me. One taps the other on his shoulder and says: “You could also play this” – in a tone that reveals a certain criticism of the sound. As if the fact that this music is playable by other musicians is somehow reducing their ability of enjoying it.
I try it out for a while, to stand completely still, no movement, just observing. The music comes in through my ears and stops at the brain. I experience the music maybe at a 25 percent, if not less. As soon as I move my body with the melodies I start feeling the music more intensely again and start enjoying what before was merely alright.
Then it hits me. In our intellect driven world the experience of live music for many people is also reduced to an intellectual affair. The very art form that is meant to move every cell in your body and vibrate your entire Being to a different level of consciousness has become, left in the hands of the cultural descendants of the European enlightenment, something to merely observe with the mind. So if you are not feeeeeling the music, then you must be thinking about it: …Is it good, is it not good, can I play this or can’t I play this, which guitar brand is that, how does it compare to the record, are the band members interacting with each other, I think I think I think I will give this performance a 6.6 on a scale of one to ten…
I look around the static crowd and suddenly feel sad. Because this precisely illustrates the biggest problem of our time. Our inability to feel. Feeling, our society instructs, is something not to be taken seriously, something to be made fun of, ridiculed even. Especially (though not exclusively by any means) by men, who have been systematically trained to repress their feelings and to rely entirely on intellectual capacities for “survival” in a hyper-rational world. A woman intensely experiencing music and swaying her body to the sound is so peculiar that someone feels the need to comment on it followed by an awkward chuckle. Because the feminine, the creative, the physical, the embodied, the sensual has been repressed for so incredibly long it makes people feel uncomfortable.
We are collectively so afraid of the body. So afraid of sensuality. So afraid of expressing ourselves in abundant bliss. We have created repressive barriers where unbridled ecstatic flow should be. (And BTW, this also includes the fear of peeing in public toilets for the strange anxiety of someone else hearing you during the most basic and essential task in human-body maintenance…) We have this idea that we live in relative freedom, but we don’t take into account the ridged complexes of our collective culture of emotional, spiritual, and sensual oppression. And we are primarily just talking about dancing here, but think about what this means for the ways in which people make love to each other…. Holy shit…. That’s really awful. Hyper-rational sex, anyone? I think I’ll pass, thank you very much. I don’t want that. I don’t want that confinement. I want to move. I want to sway. I want freedom.
I have lived for decades with detailed instructions from the headquarters of our culture on how to hate my body. I have been told time and again to “act normal” – which is actually the commandment of invisibility. Don’t show yourself too much, don’t express yourself too much, don’t enjoy yourself too much. I have spent decades struggling to unlearn those messages, and to learn how to love my body regardless. It’s an ongoing process. We are here on Earth in physical form for a short amount of time. Nobody really knows what happens afterwards. Can we afford to let our time here be controlled by fear of our own capacities? Or do we wake up from our disconnected slumber to wholeheartedly, profoundly, and unapologetically FEEL the music?
Yvet Youssef 