Antifascist Clubbing

Going out in Berlin with borderline bronchitis while surprise bleeding a week off schedule, my dear friend and I stand in line to enter a club at 2 in the morning. I am generally not one for ignoring my body’s needs, but right about now I am pissed off at my perpetually failing immune system this winter, and my desire to go dancing in Berlin overrules this coughing, aching body. Just this once, just this twice, just this week, OK? I have never waited in line for a club before out of principle, but here we are. It is freezing outside, with that humidity that cuts through your bones. Berlin is gritty. We talk to two guys in front of us while figuring out what we are actually standing in line for. Who is playing and what are they playing? We SoundCloud through the list of DJs on a smartphone and decide it seems danceable enough for our taste and good enough to warrant our waiting in the freezing cold, for now. We will see how long this lasts.

We manage to reach the front of the line where a thin guy in a black hat starts speaking to us in German. I stare at him somewhat amused at how such a slightly built character can have such an intimidating presence. When it becomes clear he wants me to respond to something I say: “Sorry, my German is not good enough for this”. He goes: “Alright, in English then: We are a leftist club…” “Oh!” I interrupt “thát is why that guy is on the wall” pointing to a graffiti stencil of Karl Marx next to us. “Yes” he responds firmly, looking me directly in the eye: “du you like him?”
“I do, actually!” I say with an enthusiasm that is clearly out of place and does not fit the vibe of the location. More aloof, Yvet, this is fucking serious, alright? The guy continues to explain the politics of the club we are about to enter: “no homophobia, no sexism, no racism. Are you OK with these terms?”
“Absolutely.”

Something in me actually quite appreciates these politics as door-policy. All performance aside, these should be the conditions for entering all public spaces. Just stating these terms with clarity at the entrance grants a feeling of safety, like an insurance, and that, I notice, feels remarkably welcoming to me.

We are allowed to walk to the next station two people at a time. Even though the two guys we were talking to technically stood in line before us they let us enter first as my friend joyfully exclaims: “ladies first!” Which she immediately half-jokingly, half-seriously withdraws: “or, maybe not, I don’t know if they allow that here…?” We arrive at the next station, right hand on an imagined Communist Manifesto, where our bags are searched and our phones get stickers over the cameras and we are told we can’t take photos inside the club. Onward to station three, the cash register. This is where the Marxist Idealism ends and good old capitalism requests €15 a person to be able to enter the club. I am not smart-assed enough in this moment to ask whether there is a sliding fee for low-income guests or if we are going to keep our leftist radicalism just slightly hovering over class issues for the sake of making a profit?

Anyway, when we are finally inside the typically old and dark and grungy smoked out rooms of the Berlin club scene, we dance. I am wearing my usual all-black attire, which in the Netherlands sometimes feels a little grave in comparison, but here looks so similar to the German Antifa uniform, I fit right in. Germany is interesting like that, there are still Punkers, and Altos and general rawness. You hear that Nethies: Too many smooth hipsters, not enough grungy Antifascist grit. The techno beats sound through the old industrial building doused in black paint and thick smoke. I dance the wild radical dance of a totally sober, sick, and bleeding body refusing to miss out on some live Berliner EDM. Like a leftist badass.

I am contemplating the performance of radicalism, the limits of leftist politics, the lack of leftist voices in Netherlands, the synchronous bullshit AND importance of it all. And I am imagining Karl Marx in line of a self-proclaimed leftist nightclub in 21st century Berlin, standing in the dark smoky hallways observing groups of drug-addicted youngsters huddling together in genderless toilet stalls with overflowing toilet bowls and never any damned toilet paper. Escaping from something, somehow. Or reaching for something, somehow. Would he laugh a giant belly laugh or sternly shake his head at the silliness of this scene? When in fact, we know quite well, it’s dead-serious, everything is so very serious at the root of it all. It’s just not serious like staged performative aloofness. It’s serious like the deeply human struggle for meaning while we are here in these bodies, making sense of our existence, or eagerly running from it. We are alive, all together now comrades, and it is horrible, and silly, and so much fun, simultaneously.


Also Netherlands, a footnote of gratitude: Let’s be long-term real here – thank you for the smoking ban in your clubs and public spaces ❤ ❤ ❤ I, for one, deeply appreciate it. I will take the sweat and fart stink over the total annihilation of my lungs and tar lodging into every pore on my body any day. I have washed my hair three times since Berlin, and I have yet to arrive at something that doesn’t smell like death. I love going out dancing too much to be slowly killed by it.

“She Feels the Music”

Some weeks ago I found myself at one of the most mesmerizing concerts. The sound was perfect, the music was pure excellence, and the venue was beautiful. World class musicians producing sparkling melodies and stirring rhythms. Imagine yourself in this space for a moment. Can you see it? Soul uplifting gloriousness. While I am taking in this incredible soundscape, a group of tall Dutch white men gather several feet away from me. I notice they gather so close to me because I was dancing, and they kinda took my dancing space… I get slightly irked when people invade my dancing space whenever there is actually plenty of room everywhere else. It’s like being in a long row of completely empty toilet stalls, and the next person entering the bathroom picking that one stall right next to you. And now your pee won’t come out until they leave, so you are just staring at the shoes of your new neighbor thinking: “Of all the stalls, in all the world, you had to pick the one right next to mine?” And I know they can tell I am being exceptionally quiet, so there is this awkward silent standoff happening until one of us flushes first. Yeah, OK, so I have public-toilet-issues, I know some of you out there know what I am talking about…

Anyway, I digress. We were at a concert. The men were closing in. But that was not all. In a completely silent concert hall, where everyone is moved by the gorgeous sound, these men begin an absurdly loud conversation amongst themselves. Let me tell you this: Nothing gets me out of musical ecstasy quite as fast as a group of insensitive men talking way too loud about absolutely nothing to each other through a performance. Let’s call this the sonic equivalent of man-spreading. It is incredibly annoying and energetically invasive. Since I feel like I can no longer afford being very shy about making my needs known to people, I begin frantically waving at these guys to please be quiet. But, as was already clear from their irreverent talking, they were not aware enough of their surroundings to notice me. I try to immerse back into the music while attempting to ignore their chatter. The band announces their last song, and as they begin playing the men start talking yet again. I decide to tap one of them on the shoulder and gesture my request for their silence during this last song. One of them nods at me. They stop talking for a while.

As I go back into the soundscape, I feel thankful for getting to witness this music. I close my eyes and my body naturally sways to the beautiful melodies when suddenly a voice interrupts from behind me. One of the men. This guy had apparently been observing me dance and felt the pressing need to unsubtly inform his pals: “She feels the music” – followed by one of those utterly stupid Beeves and Butthead type of chuckles: huhuhh huhuh. I don’t visibly respond to this, but again jolted out of my communion with the sound, I think to myself: “What the hell else is a person supposed to do with music?”

At a different location I am attending a concert by an incredible band that plays some of the best psychedelic rock of this generation. I notice the crowd exists primarily of men and that the venue is a little bit too crowded for my taste. My friend and I find a spot in the back that has slightly more wiggle room. As should be clear by now, I am pretty particular about space during concerts, and if I don’t have at least a little wiggle room, I will likely leave. The reason for this is that I feel the need to move my body when I hear good music, and if I am prevented from doing so in an overcrowded space I get pretty intense claustrophobia. Additionally, I find that if I can’t move freely with the music, I am less capable of receiving it completely. I want to hear it with my ears but, since I have the physical ability, also with my spine and my arms and my legs. As the concert ensues, I look out over the crowd and notice that 95 percent of the people is standing completely still. Two young guys are standing still in front of me. One taps the other on his shoulder and says: “You could also play this” – in a tone that reveals a certain criticism of the sound. As if the fact that this music is playable by other musicians is somehow reducing their ability of enjoying it. 

I try it out for a while, to stand completely still, no movement, just observing. The music comes in through my ears and stops at the brain. I experience the music maybe at a 25 percent, if not less. As soon as I move my body with the melodies I start feeling the music more intensely again and start enjoying what before was merely alright.

Then it hits me. In our intellect driven world the experience of live music for many people is also reduced to an intellectual affair. The very art form that is meant to move every cell in your body and vibrate your entire Being to a different level of consciousness has become, left in the hands of the cultural descendants of the European enlightenment, something to merely observe with the mind. So if you are not feeeeeling the music, then you must be thinking about it: …Is it good, is it not good, can I play this or can’t I play this, which guitar brand is that, how does it compare to the record, are the band members interacting with each other, I think I think I think I will give this performance a 6.6 on a scale of one to ten… 

I look around the static crowd and suddenly feel sad. Because this precisely illustrates the biggest problem of our time. Our inability to feel. Feeling, our society instructs, is something not to be taken seriously, something to be made fun of, ridiculed even. Especially (though not exclusively by any means) by men, who have been systematically trained to repress their feelings and to rely entirely on intellectual capacities for “survival” in a hyper-rational world. A woman intensely experiencing music and swaying her body to the sound is so peculiar that someone feels the need to comment on it followed by an awkward chuckle. Because the feminine, the creative, the physical, the embodied, the sensual has been repressed for so incredibly long it makes people feel uncomfortable.

We are collectively so afraid of the body. So afraid of sensuality. So afraid of expressing ourselves in abundant bliss. We have created repressive barriers where unbridled ecstatic flow should be. (And BTW, this also includes the fear of peeing in public toilets for the strange anxiety of someone else hearing you during the most basic and essential task in human-body maintenance…) We have this idea that we live in relative freedom, but we don’t take into account the ridged complexes of our collective culture of emotional, spiritual, and sensual oppression. And we are primarily just talking about dancing here, but think about what this means for the ways in which people make love to each other…. Holy shit…. That’s really awful. Hyper-rational sex, anyone? I think I’ll pass, thank you very much. I don’t want that. I don’t want that confinement. I want to move. I want to sway. I want freedom.

I have lived for decades with detailed instructions from the headquarters of our culture on how to hate my body. I have been told time and again to “act normal” – which is actually the commandment of invisibility. Don’t show yourself too much, don’t express yourself too much, don’t enjoy yourself too much. I have spent decades struggling to unlearn those messages, and to learn how to love my body regardless. It’s an ongoing process. We are here on Earth in physical form for a short amount of time. Nobody really knows what happens afterwards. Can we afford to let our time here be controlled by fear of our own capacities? Or do we wake up from our disconnected slumber to wholeheartedly, profoundly, and unapologetically FEEL the music?

Ode to Dancing

When I look around in the day to day bustle of human activity, I sometimes find myself marveling at how organized and ordered everything moves. But also. How limited. I think of my body, how privileged I am to be able to move all of these limbs so freely. And how I don’t do that enough.

One of my favorite activities in this world is going out dancing. For something I love as much as I love dancing, it’s surprising how little it actually happens. To be clear, this is not about dancing “well” or having some slick choreography, this is also not about the gaze of another. This is about feeeeeeeling the music. I love the deep melancholic techno beats, the psychedelic electronica, and the ancient rhythms from all over the world just the same. If there is any depth to the sound, it invites us to dive into it. And once you’re in it, once you have shed the inhibitions and boundaries of your strangely conditioned mind, you just feeeeeel it. It just moves in you and you in it. You become one with the music. At its best, dancing is an entirely sensual and spiritual experience.

While dancing, I have been asked this question by an interrupting stranger on several occasions: “What are you on?” And I have replied: “A glass of water”. It is pretty obvious that more and more people have come to this false conclusion that the liberating experience of dancing can only be achieved through the use of substances, with jittering jaws and horrible hangovers. I have seen so many people standing awkwardly on the sidelines until they were wasted enough to let go of their inhibiting self-sabotage and finally free to move their bodies.

Now, I am no stranger to that feeling of shame or shyness. But I am here to say that it’s a waste of life to feel bound by some elusive social contract that instructs you to constrain yourself lest you can blame some external additive for your wildness. It’s a total sham. If you have a body that is able to move in one way or another, the only thing standing in the way of the meditative ecstasy of dancing is your own mind. You don’t need anything to reach that state. You just need to silence that thinking brain, breathe, and feeeeeeel. There have been many times that my sober body was way more energetic and alive at 5 in the morning than all of the drugged up bodies running on empty around me. That’s because dancing actually generates energy, whereas synthetic substances drive you to peak and then drain your energy. For the record, I am not anti-drug in principle, I am just pro-vital-life-force-energy. And you have that running up and down your spine by default. It’s yours to use.

You see, the music wants to move you. It’s what she’s here for. And when you let her, when you relax your body, close your eyes, and allow the music to guide you into her gorgeous mysteries, you learn what freedom means, what pure joy feels like, and when the music is exceptionally good, you might even get glimpses of God.